Studios

 

The Post Office Projects Studio program is dedicated to providing affordable studio space and professional development opportunities for artists. We do this by facilitating opportunities for artists to connect within the studios, hosting curators, directors and collectors in the space and identifying opportunities for networking and professional development.

There are a limited number of studios available ranging in size from 10–30 square metres, with the opportunity for two of these to be shared spaces. Located on the second level of the former Port Adelaide Post Office, the studios are light filled with views over the historic Port Adelaide precinct. Monthly rental fees are payable.

Also calling the building home are contemporary and community arts organisations NEAMI, Tutti Arts and OSCA, offering opportunities for studio artists to engage with these unique artists.

Please head to the call-outs page for more info.

 

Studio Artists

LOUISE FLAHERTY

(she/her)

Louise Flaherty studied Visual Arts at the SA School of Art, receiving first class Honours. She  has had extensive experience working with community in facilitating and managing community driven art projects while living in Tennant Creek, NT.  She was a Founding Director of Downtown Arts Space,  and has exhibited locally and nationally.  In 2020, Louise worked with Laura Wills on their project PlantNotes including; the Guildhouse Collections Project at the MEB at the Adelaide Botanic Gardens (extended to 2021); developing collaborations with musicians Belind Gehlert and Naomi Keyte, including undertaking a mini-residency during the Vitalstatistix Adhocracy program; and a Nature Festival commissioned workshop, Grassy Shadows. 

Her current practice is informed by quiet reflection on the natural environment around her. She uses a varied range of media including drawing and installation. Louise’s work details the native flora across many different suburbs and ecosystems of Adelaide. Her work highlights native plant conservation and promotes the use of local native vegetation in suburban gardens. Alongside her own work, she also engages community members to explore the subject through facilitated workshops. 

JACQUAYA McKENZIE

(she/her)

Jacquaya is an emerging curator living and practicing on Peramangk Land. Jacquaya completed her Bachelor of Art History at Georgia Southern University, has been a part of the Port Lincoln Art Group and has previously worked at The Riddoch Arts and Cultural Centre on the installations and collections team.

As a curator she aims to create shows that centre on multicultural artist creating art around cultural identity, sexuality, and human rights. Her mission as a curator is to make art and culture more accessible to a diverse audience through public art, educational resources, and workshops.

CAITLIN BERZINS

(she/her)

Caitlin Berzins received her Bachelor of Visual Art from Adelaide Central School of Art in 2021 and since graduating has had work commissioned and acquired by the Wyatt Benevolent Institution Inc in 2022. Caitlin was selected to exhibit at Endspace gallery alongside three members of her graduating cohort in July of 2022 and awarded as a finalist in the SALA (South Australian Living Artists) City Rural Emerging Artist category for her work included in her most recent group exhibition ‘Bloomin’ Arists!’ 2022, Endspace Gallery, Adelaide. Previous group exhibitions include ‘Wish You Were Here’, 2022, Adelaide Central Gallery; ‘Keeping The Lights On’, 2020, Floating Goose Studios, Adelaide, and ‘Connection under social distancing’, 2020, National Wine Centre of Australia, Adelaide. Caitlin’s atmospheric and slightly abstracted urban-scapes bring to mind a fusion of familiarity and ambiguity, fluidity and transience; paying homage to the minutiae of contemporary life. Caitlin’s work highlights the subtle interactions between people within their environment to create an energy and mood that echos the intangible spirit of a place. These observed moments feature people undefined in their identity enabling the viewer to build upon the image and engage with the obscure emotion of John Koenig’s definition of Sonder and “the epic story that continues invisibly around you”.

CECILIA TIZARD

(she/her)

Cecilia Tizard (she/her) is an emerging artist living and working on Kaurna Country (Adelaide, South Australia), she is currently working from Adelaide Contemporary Experimental (ACE) in the 2022 Studio Program. Graduating from Flinders University with a Bachelor of Creative Arts (Visual Art), Cecilia’s practice primarily engages photography and explores the intersection between traditional photography and abstract sculpture and installation. Cecilia’s graduate work was featured in the Flinders University graduate exhibition, Holding Space at Light Square Gallery, and the 2022 Helpmann Academy Graduate Exhibition at ACE Gallery. Cecilia received the 2022 Commonwealth Private Undergraduate Award. She was also the recipient of the 2022 Helpmann Academy/ACE Open Studio Residency Award, and the FELTspace Graduate Award for Flinders University. In 2022, Cecilia exhibited work at ACE and FELTspace, her most recent body of work is currently in the Studios:2022 exhibition at ACE, alongside fellow 2022 studio residents.

TRICIA KUMNICK

(she/her)

Tricia worked as a layout design artist in advertising agencies for approximately 10 years and as a media executive for radio and publishing, she has always painted and experimented with drawing. She also made professional costume and set designs for the Elder Conservatorium and continued with night classes at the North Adelaide School of Art with awards in Life Drawing and Fashion Drawing. In 1997, she undertook and completed my Bachelor of Visual Arts (Hons) and was an artist in residence at University of SA.

She has been actively exhibiting throughout Adelaide and won first prize in the Australian Spirituality Exhibition. In 2001-06 she was a studio residence at Blyth St Studio and painted large canvases with other experimental works on paper that included sound imaging.
From 2006, she worked in her private studio and completed many investigational works with natural ochres and paints from the South Coast, South Australia, where she has a strong affinity. She has recently commenced a new body of work on fractals including canvases inspired by the seascape surrounds of Port Adelaide.

DANNY JARRATT

(he/him)

I am Danny Jarratt, an emerging artist who utilises painting and post-painting methods to explore the relationship between queerness and video games.

My practice is both political and shaped by personal experience. As a queer child growing up in a heteronormative society, I always felt 'othered.' I dealt with this alienation by diving deep into the fantastical world of video games. My practices explore how video games can be read as a queer space, often existing outside heteronormativity with different laws and social norms.

I explore queer space and video games with painting. Painting is often associated with seriousness and historical authority. Meanwhile, video games have preconceived notions as a low-grade form of commercial entertainment. I choose painting as my medium because I enjoy dichotomy and comedy with these overlapping concepts. Therefore, I create seriously considered paintings, informed by queer academic theories, using cartoonish video game motifs.

I graduated from the University of South Australia with a Bachelor of Art & Design (Honours) and recently completed artist residencies at George Street Studios and Praxis Artspace.

My practice has been exhibited locally at FELTspace, MOD., Praxis Artspace, Fontanelle Gallery and The Adelaide Festival Theatre. I recently undertook my first interstate solo exhibition at Seventh Gallery, Victoria. Simulations I have had international features in group exhibitions in Greece, North America and England, and I am a finalist in the STARV'D Art Prize in Singapore.

SUE KNEEBONE

(she/her)

Sue Kneebone is an interdisciplinary visual artist working across different media including installation and moving image. Working with the transformative processes of montage and assemblage as a form of visual storytelling, Sue seeks to reimagine historical memory to find new ways of knowing ourselves in these disruptive times.  Sue has a PhD in visual arts from the University of South Australia, and a Masters in Fine Art from the Victorian College of the Arts. She has been exhibiting since 2000 and taught across several tertiary institutions including the University of South Australia and Adelaide Central School of Art.  Recent highlights have included international residencies in Mauritius and India, and work in the 2022 Seychelles Biennale.   Sue has been a recipient of Australia Council and Arts SA grants and is currently undertaking an Arts SA Fellowship. Her work is held in the collection of the Art Gallery of South Australia, Adelaide City Council and private collections.  

JANETTE GAY

(she/her)

Janette uses video, photography, paper based works, paintings, paper sculpture, and glass etching to abstract and interpret shapes from the environment. Recently she has concentrated more on works on paper series that abstract the rural, maritime and built environment.  The Port Adelaide buildings plus extended periods of sailing are strong references.  Her practice has also involved exploring the confined inner city space as part of her installation work utilising video projections of her photographs of environments onto objects.

Since graduating from the National Art School (NAS) with a Bachelor of Fine Arts (Hons) in 2014 she has had regular exhibitions in Sydney, Adelaide, regional SA and NSW. Her exhibitions have been held at artist-run spaces, commercial and community galleries, including West Gallery, Worth Gallery, Fleurieu Arthouse, Adelaide Oval, Airspace, Marrickville, 107 Projects, Redfern, Sydney College of the Arts; The Strand and in regional NSW.

Past Artists

 

Ruby Allegra

They/them

Ruby Allegra is a white queertrans, autistic, disabled artist working on Kaurna Land. They are a self-taught multidisciplinary artist with a deep love for the colour pink. They began their professional practice as a makeup artist. Their deep understanding of colour theory, developed in art classes and at school, helped them to refine their colour blending, mixing and coordinating. Ruby’s art expanded during this time, and they revisited their earlier passions of watercolour and pencil portraiture.                                              

Over the last couple of years Ruby’s work has developed an abstract style, incorporating new mediums and technology. Their art has crossed over into politics, advocacy and activism, which remains a large and important part of their current practice. Ruby has engaged in mentorship, workshops, art classes, zines and poetry, with accessibility of art at the forefront of all their thinking, planning, creating and sharing of works. This is something they are looking forward to pushing further over the coming years.     

Edwina Cooper

She/her

Edwina Cooper’s practice is influenced by her experiences as a sailor, with a continued interest in the methods for human experience and interaction with oceanic thresholds. Edwina has drawn on self-directed nautical research and embodied experience to produce sculptural and installation works.

Edwina has undertaken residencies with Dos Mares (Marseille, France), Ayatana Artist’s Research Residency Program (Ottawa, Canada) and was the recipient of the 2020 Grindell’s Hut artist residency (situated in the Northern Flinders / Vulkathunha – Gammon Ranges National Park) She has been exhibited widely in South Australia including FELTspace, the Floating Goose, praxis ARTSPACE and ACE Open’s former project space ACE Across. She has also exhibited with Brunswick Street Gallery (Melbourne), Sawtooth ARI (Launceston) and Good Grief Gallery (Hobart).

Louise Flaherty

She/her

Louise Flaherty studied Visual Arts at the SA School of Art, receiving first class Honours. She  has had extensive experience working with community in facilitating and managing community driven art projects while living in Tennant Creek, NT.  She was a Founding Director of Downtown Arts Space, and has exhibited locally and nationally.  In 2020, Louise worked with Laura Wills on their project PlantNotes including; the Guildhouse Collections Project at the MEB at the Adelaide Botanic Gardens (extended to 2021); developing collaborations with musicians Belind Gehlert and Naomi Keyte, including undertaking a mini-residency during the Vitalstatistix Adhocracy program; and a Nature Festival commissioned workshop, Grassy Shadows.

Her current practice is informed by quiet reflection on the natural environment around her. She uses a varied range of media including drawing and installation. Louise’s work details the native flora across many different suburbs and ecosystems of Adelaide. Her work highlights native plant conservation and promotes the use of local native vegetation in suburban gardens. Alongside her own work, she also engages community members to explore the subject through facilitated workshops.

 

Janette Gay

She/her

Janette uses video, photography, paper based works, paintings, paper sculpture, and glass etching to abstract and interpret shapes from the environment. Recently she has concentrated more on works on paper series that abstract the rural, maritime and built environment.  The Port Adelaide buildings plus extended periods of sailing are strong references.  Her practice has also involved exploring the confined inner city space as part of her installation work utilising video projections of her photographs of environments onto objects.

Since graduating from the National Art School (NAS) with a Bachelor of Fine Arts (Hons) in 2014 she has had regular exhibitions in Sydney, Adelaide, regional SA and NSW. Her exhibitions have been held at artist-run spaces, commercial and community galleries, including West Gallery, Worth Gallery, Fleurieu Arthouse, Adelaide Oval, Airspace, Marrickville, 107 Projects, Redfern, Sydney College of the Arts; The Strand and in regional NSW.

TriciaKumnick_1669  175x150cm - Tricia Kumnick.jpg

Tricia Kumnick

She/her

Tricia worked as a layout design artist in advertising agencies for approximately 10 years and as a media executive for radio and publishing, she has always painted and experimented with drawing. She also made professional costume and set designs for the Elder Conservatorium and continued with night classes at the North Adelaide School of Art with awards in Life Drawing and Fashion Drawing. In 1997, she undertook and completed my Bachelor of Visual Arts (Hons) and was an artist in residence at University of SA.

She has been actively exhibiting throughout Adelaide and won first prize in the Australian Spirituality Exhibition. In 2001-06 she was a studio residence at Blyth St Studio and painted large canvases with other experimental works on paper that included sound imaging.
From 2006, she worked in her private studio and completed many investigational works with natural ochres and paints from the South Coast, South Australia, where she has a strong affinity. She has recently commenced a new body of work on fractals including canvases inspired by the seascape surrounds of Port Adelaide.

Rosina Possingham

She/her

Rosina Possingham is a multi-disciplinary artist, designer and photographer who values collaborative environments where ideas and conceptual thinking are shared, evolving her practice to incorporate consistent youth and community workshops and art projects. Rosina is motivated to challenge, observe and rediscover the way people connect with and through landscape, community, and place. She completed her Masters of Visual Art and Design at University of South Australia in 2016 and has since formed a base of freelance clients, specialising in design and photography for art based projects.

Rosina Possingham and Brianna Speight recently built a collaborative practice. This started with a three-month Artist-in-Residence program at Sauerbier House Culture Exchange, Port Noarlunga SA. Here they developed their first project ZINC, building and exchanging visual language with graphic elements, high energy stylised installations and open community engaged work ethic. ZINC was exhibited with Sauerbier House Culture Exchange and PraxisARTSPACE Gallery in 2020. Rosina has also exhibited at Carclew, Floating Goose Gallery and SASA Gallery.

 

Andrea Przygonski

She/her


Andrea Przygonski is an Adelaide-based artist and curator whose practice intersects print, installation, light, sound, textiles and sculpture. She trained at Adelaide Central School of Art, AC Arts, School of the Art Institute of Chicago and University of SA. She holds a Bachelor of Visual Arts and Master of Visual Arts.

Andrea has a broad exhibition history and most recently held solo exhibitions Transfiguring the Terrain at SASA Gallery, followed by Chi-Town Chronicles, a survey of her Chicago-inspired work at praxis ARTSPACE. Her work is held by the Art Gallery of SA, State Library of Victoria, Brooklyn Art Library, University of Adelaide and Burnie Regional Gallery and has been selected for numerous award exhibitions including Print Council of Australia Print Commission, Fremantle Print Award and Australian Print Triennial Print Award. Her practice as been supported through scholarships and grants from ArtsSA grants, Australian Postgraduate Award, SAIC New Artist Society Scholarship, Leroy Neiman Foundation Scholarship (OxBox School of Art), Ian Potter Cultural Trust Grant, NAVA/Janet Holmes Court Artists' Grant and two Helpmann Academy Mentorships.

Henry Wolff

They/them

Henry Wolff is an artist, arts administrator, design consultant and graphic designer practicing in Adelaide on Kaurna Country. Their creative origins are grounded in fashion design, having worked as a designer on two global brands. Henry continues to consult and work with local designers. They are also engaged as a freelance graphic designer by brands, artists, stylists and a variety of organisations. As an artist Henry’s practice explores the complexity of human connection. They work in a socially responsive manner and investigate how we navigate vulnerability and identity through collective and familial support. Using performance, video and photography they engage these concerns throughout their emerging practice.

Henry is a Carclew Fellow undertaking a mentorship with leading Australian artists Hoda Afshar and Eugenia Lim. They have performed at the Art Gallery of South Australia with Melbourne collective APHIDS for the 2020 Adelaide Biennial of Australian Art: Monster Theatres, worked alongside Eugenia Lim and APHIDS’s on Easy Rider creative development at MPavilion, and has exhibited works in galleries, public spaces and online across South Australia and nationally.

Dominic Guerrara

He/him

Dominic Guerrera is an Ngarrindjeri, Kaurna and Italian person – living on Kaurna Yarta. Dominic has primarily worked in Aboriginal health as a Health educator in the area of sexual health, harm reduction and health promotion. 

As an artist, he creates work as a poet, writer, photographer, screen printer and podcaster. Dominic’s writing has been published in Granta Magazine, Cordite Review, Fine Print Magazine and Non-Compliant Magazine and performed at Adelaide Writers Week, Draw Your (S)words and JLK Festival. His poem ‘unwelcome to country’ was the winner of the 2021 Oodgeroo Noonuccal Indigneous Poetry Prize. As creator and host of The ASH Podcast, Dominic explored ideas of Aboriginal sexuality and sexual health with co-host Sasha Smith. 

With a focus on social justice and exploring Aboriginal lived experiences, Dominic has curated two art exhibitions for Nexus Arts, circles to us (2020) and Staunch (2022) which also featured in Tarnanthi Festival. 

Dominic’s work explores themes of Aboriginal culture, social justice and aims for Aboriginal liberation. 


 

Residencies

Residencies are short term supported places in our studios at Post Office Projects.

  • Monica Spaven

    She/her
    Deep Dive Studio Resident

    Monica began her formal arts training with Adelaide Central School of Art at the beginning of 2021.Through her studies she has felt particularly drawn to oil painting, using abstraction to create expressive landscape paintings. Having previously completed a Bachelor of Interior Architecture at UniSA, she carefully considers the spatial relationships within a composition and finds joy in creating harmonious colour combinations. A regular bushwalker, Monica can be found hiking for 3-5 days completely self-sufficient providing her with endless inspiration. Eager to combine a passion for the outdoors with her arts practice, Monica is currently exploring how en plein air studies can authentically inform studio based works to capture the essence of place. Through her practice, Monica aims to evoke the experience of being immersed in the landscape and inspire viewers to explore the beauty and diversity to be found in nature.

    The Deep Dive Studio Residencies is supported by the City of Port Adelaide Enfield.

  • Chira Grasby

    She/her
    Deep Dive Studio Resident

    In Chira’s words, `my curatorial and arts practices draw inspiration from my lived experience as a queer mixed-race artist. Through my work I hope to discover what the intersections of my identities represent when forced into physical analogues, and how the process of making can bring me closer to understanding my marginalized self.’

    The Deep Dive Studio Residencies are supported by the City of Port Adelaide Enfield.

  • Stevan Howisen

    He/him

    My engagement with Visual Art - painting, drawing and sculpture - has run on for thirty years and my focus and enthusiasm is as strong as ever. The work has given my life texture, colour and meaning.

    At first, I was interested in the early period of Surrealism (Automatism), then ‘Art Brut ‘, followed by an interest in post war American painting. In the last four years I have engaged with ‘Post Object ‘Art, symbol and metaphor. Whilst making sculpture I have through it all made drawings and paintings.

    I always keep materials in the studio and work most days. I liken myself to Phillip Guston who said “I live for painting - painting is my life “. And I work with a kind of religious passion. My work is a synthesis of the content of language within materials. The materials of work are very important. Of all the media, sculpture has the greatest resonance. In the last few years, I have mainly made documents about memory and human experience using varied materials. A style is emerging which is idiosyncratic.

    Residency is generously supported by the Australian Government with support from Neami National.

  • Kirsten Johnston

    She/her

    Kirsten Johnston is an artist living and working from her home in Mount Gambier. She began painting as part of a TAFE course in Visual Arts and has since spent time with tutors and mentors to develop her skills.

    Over eight years, Kirsten has explored a range of styles in her art, beginning with realistic watercolours, moving through mixed-media expressions of Australian flora and landscape, and currently diving into abstraction.

    Abstraction is leading Kirsten towards a different type of connection with her subject matter. Many of her abstract works still use the natural world as their foundation but she also likes to examine our lived experience in society and find ways to respond.

    Residency is generously supported by Country Arts SA and Guildhouse.

Deep Dive Studio Residency applications open until midnight Monday 11th of July, 2022!